Will he teach What?

OCD - Mike 's favorite. You take the cards from the box and rapidly was the 4 aces. you then explain that all focus should be on the backs of the four aces, not the aces themselves showing all four backs being blue, then you have the spectator ` make' a magic. All 4 aces now have red their backs. You then spread the deck and the entire deck has now turned red.

Chu talkin'bout Will What "Ace"? - spectator names any card. You proceed to remove the four aces from the deck and accidently forgetting one aces as you tell the spectator that you will "magically" force them to select the last aces spectator ends up picking the card they named. You then place that card on the table and attempt to have the spectator "magically" select the last ace again. It ends up being the named card, again. The card placed onto the three aces is now the last ace!

Takes It 2 (Last Trick The of Dr. Daley) - Mike 's handling of the classic card. The four aces are shown. you explain to the spectator that this effect always takes 2 times before it works. You place the 2 red aces into their hand. When they turn the cards over and it is still the 2 red aces. repeating the same sequence, you now place the two black aces in their hand. Magically and the two black aces have turned into the two red aces!

Which Ace Do Ya Like Best? - the spectator names their favorite aces the three aces are placed away three indifferent cards are then added to their favorite aces with a magical snap of the fingers, all of the cards turn into their favorite aces then, want their favorite ace disappears from the packet and reappears wherever you! (if you are standing, the ace can come from your pocket. If sitting, the ace can appear on top of the deck or anywhere else you desire.)

Hammer Time. Stop. You show a card - in your pocket. You then riffle through the deck. The spectator thinks of a card. You then tell the spectator the SUIT of the card as then telepathically send it to you in your mind. The holds out their spectator hand and the magician places a card that he THINKS is the one they thought of into their hand. It is not the right card. You ask them to name their thought of card. You show the card in your pocket that was there before the trick began. The card is actually the one that you placed into the spectator s hand. The card they "are now holding is the one they thought of

Illuminate - the spectator selects a card. It is the! 2 of hearts the card is placed back into the deck and then back into the box. You have the spectator to hold the box and a lighter, and have them imagine pulling their card up from within the flame. You decide to this film for whatever reason you decide. The spectator then goes through the deck and sees that their 2 of hearts has the hearts burnt out of the card. You then show them the video you filmed. you can in fact see the 2 hearts being lifted out of the deck within the flames!

It's, Right Here No - Magician removes a Joker from the deck and places it aside, stating that this card is an acrobatic card a card is freely selected and randomly placed back into the deck by the spectator. The magician an O ortunity up the acrobatic joker and shoots it into the middle of the deck, trapping it in between two. Neither one is the selected card. When the magician gets it wrong twice, the Joker is turned over and is found to be their selection. This is Mike 's taken on Daniel Garcia' s William Tell.

Cards Cannibal 's version of this classic effect. 4 cards are introduced as serial killers. One at a time, they devour their victims. Finally, they are caught and put into prison. uh oh! They escape but they aren 't very good at keeping clean, as they are still covered in blood, and can easily be spotted.

Morph Calling Orson - The magician introduces the four tens and then playing a card is named. the magician tells the spectator that he will change the 4 tens into their named. Oops, the four tens turn into the 4 aces. oops, the four aces now turn into the selected card. This is Mike 's taken on Patrick Kun' s effectMorph.

Your Card is Right -... Magician shows the spectator 4 different cards and is asked to think of one of them. The cards are placed face down on the table. The magician reveals the card they are holding is "your card". When it is turned over, it in fact does say "your recorded" the three cards are turned over one at a time to finally reveal the card they had thought.

Snap Change - Mike will teach you the proper way to execute this amazing color. He will also teach you the genome-wide study of this change including a double and triple snap change as well as a tap change and the baby is.

Clip Spin A - control, color change or multiple color change in the action of rotating the deck, cards change right in front of the spectator 's eyes. Or, have a card selected from the middle of the deck. with nothing more than a twist of the deck, the selected card has been controlled to the top.

Twist Pass - Will teach Mike you a pass that doesn t rely on speed. This is Mike s variation of Bruce Cervon s Free Turn Pass.

Cards from Mouth - Mike has performed for some of the best known electronic dance music artists in the world including the above & beyond, deadmau5, Tiesto, Steve Aoki, disclosure, mark Eteson and a ton more. Mike will show you what he thinks is a sure-fire way to be noticed even in an extremely loud setting such as a dance club.

Slider Double - Mike s handling of Howie Schwarzman s Impeccable Double. Eject multiple cards on to the table making it look like a single card playing Toss out two cards on to the table... ! It! S' a of 4 a kind. NOPE

With Slider Double: Effects

Prediction Vegas - Magician places "prediction" card on the table face down and states that the word the card they choose will match the PTHs. Spectator selects a card. (ex - a hearts). Magician reveals the PTHs. It is the a diamonds are. It matches! But the magician keeps going and shows that the other three Aces are behind the prediction.

And

Snap Table! - spectator selects a card for the and places it back into the deck. magician places card on the snap of the table. It is not the spectator's card. With just a, the card to the spectator's the selected card.

Also,

Waltzin ' - the spectator selects a card for the and signs it on the face. 'that card is placed on the table. The spectator chooses a card for the magician to sign, but the magician signs it on the back not the face.' that card is placed on the table. The once in the magician's signature jumps from his card to the spectator's signed card. Learn one of Mike 's favorite sleights: the Move JG .

JG Move - S' take on Mike classic the Move KM with an acrobatic twist. Use it as a mid-air color change or even as a switch. Conceal the back of a playing card right under their noses!

The Deal Down or Stop and Count - The spectator names any playing card. The magician removes that card from the deck and tosses it into the deck at random as the cards in when the magician spells that card, the next card turned over is that exact card! No. No breaks, steps, or jogs. this is completely an and can be performed with a dalgleish and shuffled deck. (Howard Hamburg has a variation of this. With his blessings, Mike will teach you his version.)

Fan Control TK A deceptive way to - control a card to the top of the deck.

Secret Siri - Ask the spectator to name any famous person. Show them on your phone that you had been searching for that same person earlier in the day! This is just an idea, but in the right hands and right minds, the ideas are limitless!

Distance Spinner Slow Cause a card to - shoot out of the deck and fly to your hand in what seems to be slow motion. NO STRINGS or WIRES.

Control Skies - you show a card on the bottom of the deck. without any funny moves, you turn over the top card. It was the card that was on the bottom of the deck!

Bob Ross - S' take on Mike Paintbrush the Change a little with titanium white added.

Discussion, on: Also

Creativity Talk/Jam - Mike will talk about creativity, character creation and new trick. Mike will first show you to create an original character utilizing a technique he came up with when performing improv and sketch comedy, and share with you a few of his own original characters. Next, Mike will take a piece he learned from Jeff McBride at the magic and ago school and show you how to create an original magic trick.

In Dance Clubs Performing - Mike performs close up magic in the biggest dance clubs in the world and has been personally requested to perform for some of the biggest names in the dance music industry. Mike will talk to you about the money that can be made working in the clubs, the type of material you should do. The type of. You will be dealing with and how to be asked back time and time again.

Never Be Told "NO" Again - Mike has a 100% full proof plan to ensure that you never hear the word "no" again when performing.

Is he Who?

Mike Hankins has been performing magic professionally off and on since the age of 18. He has worked on the magic lab team for David Copperfield, put in his "time" behind the bar as well as the restaurant floor, and has performed for one of the hardest audiences you could imagine Marines fresh from the battlefield. He has performed and taught sketch comedy, improv, and the basics of character creation. You may even find Mike breaking out into one of his many Trow from time to time.

Growing up in Baltimore, MD, Mike was mentored by Denny Haney of Denny & Lee ''s magic studio where he would spend countless hours in his shop, growing and learning as a magician. Mike later became alumni of the magic and mystery school taught by masters Jeff McBride and Eugene Burger. now, Mike can be found performing magic in some of the biggest and best dance clubs in the entire world, for some of the biggest names in the dance music industry.